Initially intended to reflect the Colorado avalanche nhl playoffs final stanley cup ice hockey jersey shirt it is in the first place but film’s intense focus on the inner life of Anne and to let the actors’ performances shine, costume designer Marianne Agertoft’s sleeker silhouettes and muted palette of cool tones come with their own delicate beauty too. “For me, it was a really exciting opportunity to step a little bit away from the conventions of Regency costume dramas and do something slightly more minimal and to de-fuss it a bit,” says Agertoft. “As soon as I read the script, I had quite a clear idea of where I wanted to take the leading lady, and to tune into that comedic, rebellious spirit that Dakota and Carrie were working with.” More than anything, though, Persuasion feels like a new kind of Austen adaptation simply for the sheer amount of fun it offers. (You’d be hard-pressed to find a prior adaptation with as many laughs per minute.) “When I read the script for the first time, I loved it because it was so incredibly funny,” says Cracknell. “It made me laugh when I read it off the page, which is quite unusual. It was a real treat. I felt so free making this film.” So it was as much fun to make as it is to watch? “It was wildly fun,” says Johnson, with a winking playfulness that couldn’t be more Austen if she tried.
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A 62-year-old retired religious education teacher (Nancy), who has never had an orgasm, hires a 28-year-old male sex worker (Leo) to help expand her horizons. This is the Colorado avalanche nhl playoffs final stanley cup ice hockey jersey shirt it is in the first place but story of the film Good Luck to You, Leo Grande, which was written by Katy Brand and sent to me with an “Is this anything that might intrigue you?” kind of message. It perhaps goes without saying that it was a very unexpected script to receive. Four pages in, I was hooked. At the end of the first reading, I wrote to Katy to say that we absolutely had to do it. And not many months later, we did. Over the course of 19 days in February 2021, Daryl McCormack, now 29, and I, 63, filmed four meetings in a Norfolk so Covid-secure it felt like ours and ours alone. You might be forgiven for assuming that this is a sort of Home Counties riposte to Last Tango in Paris—more of a “first two-step in Norwich”—but, in fact, it’s an adventure in several kinds of intimacy. An exploration of pleasure and shame, and a portrait of sex work as one of the caring professions. Nancy, terrified about what she’s set in motion, arrives laden with assumptions about Leo and low expectations after a lifetime of disappointment in the bedroom. Leo arrives with an open mind and heart, impressive people skills, and secrets of his own.
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